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University of Minnesota Press MS Prep Guide: Index

University of Minnesota Press MS Prep Guide
Index
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Notes

table of contents
  1. Manuscript Preparation Guide and Production Overview
  2. Copyright Page
  3. Contents
  4. The Purpose of This Guide
  5. Manuscript Formatting
  6. Text Elements
  7. Illustrations
  8. Permissions
  9. Contributed Volumes and Journals
  10. Submission Procedures
  11. The Production Process
  12. Appendix A
  13. Appendix B
  14. Appendix C
  15. Index

beginning

University of Minnesota Press MS Prep Guide
Index

Index

Index

abbreviations: of source titles, 2.36

accuracy: of foreign-language material, 2.19; of quotations, 2.18

acknowledgments, 2.04–07; at end of book, 2.07; permissions and citations within, 2.05; revising, 2.04

address: changes of, 5.12; contributors’, 5.11; for manuscript submission, 6.12

alterations, 7.15

art log, purpose and function, 3.42

artwork: cover, 7.10; cropping, 6.10; digital images, 3.17–25; disk formats, 6.07; guidelines, 3.01–42, 6.06; handling, 6.11; hard copy, 6.08; labeling, 6.11; must be complete, 3.01; orientation, 6.09; permissions, 4.07, 4.09; photo prints, 3.03–3.07; reformatting, 3.09; transparencies, 3.14–16; types of originals, 3.02

author–date system, 2.38

auto-formatting, 1.15–16

backup copy, 6.12

bibliography, 2.39–42; for contributed volumes, 5.03; dashes for repetition of author’s name, 1.15; must correspond with note system, 2.41; need for, 2.39; versus note format, 2.40; order of works by same author in, 2.42; preferred style for, 2.40; for translations, 2.46. See also author–date system

biography: of author, 2.43; of contributors, 5.01, 5.06–07

Bitmap (BMP), 3.20

blank lines, 1.09

block quotes, 2.14; indention, 2.14, 2.16; no quotation marks for, 2.15; not allowed in notes, 2.35

brackets: for author interpolations, 2.15; for translator’s notes, 2.44; around website URLs, 2.30

CAD (Computer-Aided Design), 3.21

callouts, 3.38

capitalization: in headings and titles, 2.10

captions: placement in manuscript, 3.41; purpose, 3.39; source credits, 3.40

charts. See line art

Chicago Manual of Style, 16th ed., 2, 7.05

citations: within acknowledgments, 2.05; consistency, 5.02; illustration source credits, 3.40; shortened, 2.37; for tables, 3.35. See also author–date system; bibliography; notes

cleanup, 7.09

color plates, 3.15

contact information, 5.01, 5.11; changes of address, 5.12

contributed volumes: figures in, 3.27; permissions, 5.01, 5.08–09

contributor agreements, 5.01, 5.05

copyediting, 7.05–09; author’s review of, 7.07–08; cleanup, 7.09; definition, 7.05; electronic, 7.08; schedule, 7.03, 7.07

copy editor, 7.06

cover design, 7.10–12; author input, 7.10, 7.12

cropping, 6.10

dashes, 1.15; for epigraph attribution, 2.26; for repetition of names in bibliography, 1.15

deadlines, 7.03, 7.13

delays, 7.03, 7.13

design: cover, 7.10–12; text, 7.02, 7.06

developmental editing, 7.05

diacritical marks, 1.17; unusual, 1.18

dictionary, Appendix A

digital art, 3.02, 3.06, 3.17–25; color versus black-and-white, 3.19; handling, 6.11; line art, 3.20–23; photographs, 3.17–19; reformatting, 3.23; resolution, 3.18; size, 3.18. See also scanning; screen grabs

dingbats, 1.09

disks: formats, 6.02, 6.07; labeling, 6.05

documentation: two systems, 2.37. See also bibliography; citations

drawings. See line art

editing: line art, 3.12. See also copyediting; developmental editing

electronic copy, 6.01; file and disk formats, 6.02, 6.07

ellipses, 1.16

embedding: images, 6.11; notes, 2.28

“emphasis added,” 2.15

endnotes. See notes

ephemera, 4.08

epigraphs: attribution, 2.25; definition, 2.22; formatting, 2.26; length and frequency, 2.24; notes with, 2.25, 2.33; permitted uses, 2.23; placement, 2.23

EPS (Adobe Illustrator), 3.20, 3.21

extract. See block quotes; poetry

fair use, 4.06, 4.14

fees for permission, 4.13

figures: in contributed volumes, 3.27; versus maps, 3.29; numbering, 3.26–28; versus tables, 3.31

file creation, 6.03

file naming, 6.04

fonts, 1.02, 3.21

footnotes. See notes

foreign-language material, 2.19

formatting: artwork, 3.09, 3.13, 3.23; auto-formatting, 1.15–16; disks, 6.02, 6.07; epigraphs, 2.26; manuscript, 1.01–18; website citations, 2.30

freelancers, 7.06; for indexing, 7.17

front matter, 2.01–07, 6.03

GIS (Geographic Information System), 3.21

graphs. See line art

hard copy, 6.01, 6.08

headings: capitalization within, 2.10; consistency, 2.09; hard returns before and after, 1.10, 2.12; levels, 2.11; no notes with, 2.13; no numbering, 2.13, 2.33; purpose, 2.08; running heads, 1.05; within table of contents, 2.01

hyphenation, 1.06

ibid., 2.37

illustrations, 3.01–42; art log, 3.42; callouts, 3.38; captions, 3.39–41; numbering, 3.26–28, 3.30; tables, 3.31–37. See also artwork

Illustrator (Adobe), 3.20, 3.21

indention: block quotes, 2.14, 2.16; epigraphs, 2.26; paragraphs, 1.07, 2.16; poetry, 2.20

index: author versus professional, 7.17; procedure, 7.18; schedule, 7.16

introduction, 6.04; as heading, 2.13

italics: for punctuation, 1.13; for second-level headings, 2.11

journals: articles, permission to reprint, 4.02; contributor agreements for, 5.01, 5.05

justification, 1.06

labeling: art, 6.11; disks, 6.05

line art: definition, 3.08; editing, 3.12; format, 3.09, 3.20; permission for, 4.09; reformatting, 3.13; shading or colors, 3.11; size, 3.10

line spacing. See blank lines

mailing instructions, 6.12

manuscript: electronic copy, 6.01; formatting, 1.01–18; hard copy, 6.01; photocopy versus original, 5.04; properly formatted example, fig.1.02

maps: versus figures, 3.29; numbering, 3.30. See also line art

margins, 1.04

Microsoft Word, 6.02

moiré, 3.11

negative film, 3.16

notes, 2.27–38; abbreviation of source titles, 2.36; bibliographical information in, 2.37; with or without bibliography, 2.39–41; with chapter titles, 2.33; embedding, 2.28; endnotes versus footnotes, 2.27; with epigraphs, 2.25, 2.33; with headings, 2.13; “ibid.” in, 2.37; must be complete, 2.29; numbering, 2.31; placement of, 2.33; quotations within, 2.35; style, 2.32–36; in tables, 3.35; translator’s, 2.44; unnumbered, 2.34; with websites, 2.30

numbering: figures, 3.26–28; headings, 2.13; maps, 3.30; notes, 2.31; pages, 1.12; tables, 3.37

packager, book, 7.06

page numbering, 1.12

Palatino (font), 1.02

paragraph indentions, 1.07, 2.16

paragraph returns, 1.10. See also spacing

PDF, 3.17, 3.20, 7.18

permissions, 4.01–4.16; within acknowledgments, 2.05; for artwork, 4.07, 4.09; author’s responsibility, 4.01; for contributed volumes and journals, 5.01, 5.08–09; for ephemera, 4.08; fees for, 4.13; grants of, 4.11; how to request, 4.11, Appendix B; letters of, 5.10; must be final, 4.01; for photographs, 4.06; for poetry, 4.04; for prose, 4.03; quotations, 4.03; whether required, 4.02–03; for screen grabs, 4.06; for song lyrics, 4.04; for unpublished works, 4.05

photographs, 3.03; color versus black-and-white, 3.05; digital, 3.17–18; digital printouts of, 3.06; handling, 6.11; permission for, 4.06; from printed matter, 3.07; size, 3.04; of staged performances, 4.06. See also reflective art

Photoshop (Adobe), 3.17

poetry: extracts, 2.20; hard returns in, 1.10; permission for, 4.04; in run-in quotations, 2.21

ppi (pixels per inch), 3.18

preface: acknowledgments within, 2.06

previously published material, 4.16; permission to reprint, 4.02; revision of, 4.02

production, 7.01–18

production assistant, 7.04

production coordinator, 7.09

proofreading, 7.13–15; changes allowed during, 7.15; schedule, 7.13

proofs: cover, 7.12; text, 7.14

PSD (Photoshop Document), 3.17

public domain, 4.07, 4.14

queries, 7.08–09

quotation marks: in block quotes, 2.15; with run-in poetry, 2.21

quotations, 2.14–19; accuracy, 2.18; block, 2.14; permission for, 4.03; sic in, 2.17; translation of foreign-language, 2.19, 2.45. See also poetry

ragged right, 1.06

reflective art, 3.02–07. See also photographs

resolution, 3.18, 3.22, 3.25

rewriting, 7.05, 7.08

roman type, 2.11

running heads, 1.05

scanning, 3.02, Appendix A

schedule, 7.03; copyediting, 7.07; cover design, 7.11; indexing, 7.16; proofreading, 7.13

screen grabs: permission for, 4.06; risks of using, 3.24; size and resolution, 3.25

sic: proper use, 2.17

slides. See transparencies

song lyrics: permission for, 4.04

spacing: for block quotes, 2.14, 2.16; after colon, 1.14; before and after dashes, 1.15; with ellipses, 1.16; between lines, 1.08; between lines of run-in poetry, 2.21; between paragraphs, 1.09; between sentences, 1.10. See also blank lines

special characters, 1.03

spreadsheets, 3.20

stills. See screen grabs

style guides, Appendix A

submission procedures, 6.01–12; Appendix B

table of contents: chapter titles within, 2.02; headings, 2.01; items to include, 2.01; order of elements, 2.03

tables: accuracy, 3.33; versus figures, 3.31; notes in, 3.35; numbering, 3.37; rules in, 3.36; simplicity, 3.32; titles, 3.34

text: design, 7.02, 7.06; plain and uniform, 1.01

TIFF, 3.17, 3.20

Times New Roman (font), 1.02

titles: capitalization of, 2.10; in tables 3.34

translations, 4.15; bibliography in, 2.46; quotations in, 2.45; translator’s notes in, 2.44

transmittal, 7.01

transparencies: and black-and-white reproduction, 3.15; handling, 6.11; negatives, 3.16; size, 3.14

underlining: for first-level headings, 2.11

URLs. See websites

volume editor: responsibilities, 5.01

websites: in notes, 2.30; permissions for, 4.06; screen grabs, 3.24

world rights, 4.15

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