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Short Fiction: A Bad Business

Short Fiction
A Bad Business
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Notes

table of contents
  1. Title Page
  2. Imprint
  3. A Living Chattel
    1. I
    2. II
    3. III
  4. Joy
  5. At the Barber’s
  6. An Enigmatic Nature
  7. A Classical Student
  8. The Death of a Government Clerk
  9. A Daughter of Albion
  10. The Trousseau
  11. An Inquiry
  12. Fat and Thin
  13. A Tragic Actor
  14. A Slander
  15. The Bird Market
  16. Choristers
  17. The Album
  18. Minds in Ferment
  19. A Chameleon
  20. In the Graveyard
  21. Oysters
  22. The Swedish Match
    1. I
    2. II
  23. The Marshal’s Widow
  24. Small Fry
  25. In an Hotel
  26. Boots
  27. Nerves
  28. A Country Cottage
  29. Malingerers
  30. The Fish
  31. Gone Astray
  32. The Huntsman
  33. A Malefactor
  34. A Dead Body
  35. The Cook’s Wedding
  36. In a Strange Land
  37. Overdoing It
  38. Old Age
  39. Sorrow
  40. Oh! The Public
  41. Mari d’Elle
  42. The Looking-Glass
  43. Art
  44. A Blunder
  45. Children
  46. Misery
  47. An Actor’s End
  48. The Requiem
  49. Anyuta
  50. Ivan Matveyitch
  51. The Witch
  52. A Story Without an End
  53. A Joke
  54. Agafya
  55. A Nightmare
  56. Grisha
  57. Love
  58. Easter Eve
  59. Ladies
  60. Strong Impressions
  61. A Gentleman Friend
  62. A Happy Man
  63. The Privy Councillor
  64. A Day in the Country
  65. At a Summer Villa
  66. Panic Fears
  67. The Chemist’s Wife
  68. Not Wanted
  69. The Chorus Girl
  70. The Schoolmaster
  71. A Troublesome Visitor
  72. A Misfortune
  73. A Pink Stocking
  74. Martyrs
  75. The First-Class Passenger
  76. Talent
  77. The Dependents
  78. The Jeune Premier
  79. In the Dark
  80. A Trivial Incident
  81. A Tripping Tongue
  82. A Trifle from Life
  83. Difficult People
  84. In the Court
  85. A Peculiar Man
  86. Mire
    1. I
    2. II
  87. Dreams
  88. Hush!
  89. Excellent People
  90. An Incident
  91. The Orator
  92. A Work of Art
  93. Who Was to Blame?
  94. On the Road
  95. Vanka
  96. Champagne
  97. Frost
  98. The Beggar
  99. Enemies
  100. Darkness
  101. Polinka
  102. Drunk
  103. An Inadvertence
  104. Verotchka
  105. Shrove Tuesday
  106. A Defenceless Creature
  107. A Bad Business
  108. Home
  109. The Lottery Ticket
  110. Too Early!
  111. Typhus
  112. In Passion Week
  113. A Mystery
  114. The Cossack
  115. The Letter
  116. An Adventure
  117. The Examining Magistrate
  118. Aborigines
  119. Happiness
  120. Bad Weather
  121. A Play
  122. A Transgression
  123. From the Diary of a Violent-Tempered Man
  124. Uprooted
  125. A Father
  126. A Happy Ending
  127. In the Coach-House
  128. Zinotchka
  129. The Doctor
  130. The Pipe
  131. An Avenger
  132. The Post
  133. The Runaway
  134. A Problem
  135. The Old House
  136. The Cattle-Dealers
  137. Expensive Lessons
  138. The Lion and the Sun
  139. In Trouble
  140. The Kiss
  141. Boys
  142. Kashtanka
    1. I: Misbehaviour
    2. II: A Mysterious Stranger
    3. III: New and Very Agreeable Acquaintances
    4. IV: Marvels on a Hurdle
    5. V: Talent! Talent!
    6. VI: An Uneasy Night
    7. VII: An Unsuccessful Debut
  143. A Lady’s Story
  144. A Story Without a Title
  145. Sleepy
  146. The Steppe
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  147. Lights
  148. The Beauties
    1. I
    2. II
  149. The Party
    1. I
    2. II
    3. III
    4. IV
    5. V
  150. The Shoemaker and the Devil
  151. The Bet
    1. I
    2. II
  152. The Princess
  153. A Dreary Story
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  154. The Teacher of Literature
    1. I
    2. II
  155. A Nervous Breakdown
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  156. The Horse-Stealers
  157. Gusev
    1. I
    2. II
    3. III
    4. IV
    5. V
  158. Peasant Wives
  159. The Wife
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  160. The Grasshopper
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  161. After the Theatre
  162. In Exile
  163. Terror
  164. Neighbours
  165. Ward No. 6
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
  166. The Two Volodyas
  167. Rothschild’s Fiddle
  168. The Student
  169. At a Country House
  170. The Head-Gardener’s Story
  171. A Woman’s Kingdom
    1. I: Christmas Eve
    2. II: Christmas Morning
    3. III: Dinner
    4. IV: Evening
  172. Anna on the Neck
    1. I
    2. II
  173. Whitebrow
  174. Ariadne
  175. The Helpmate
  176. The Murder
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  177. Three Years
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
  178. An Artist’s Story
    1. I
    2. II
    3. III
    4. IV
  179. My Life
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
    20. XX
  180. Peasants
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
  181. The Petchenyeg
  182. At Home
    1. I
    2. II
    3. III
  183. The Schoolmistress
  184. The Man in a Case
  185. Gooseberries
  186. About Love
  187. The Darling
  188. The New Villa
    1. I
    2. II
    3. III
    4. IV
    5. V
  189. On Official Duty
  190. The Lady with the Dog
    1. I
    2. II
    3. III
    4. IV
  191. At Christmas Time
    1. I
    2. II
  192. In the Ravine
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
  193. The Bishop
    1. I
    2. II
    3. III
    4. IV
  194. Betrothed
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  195. Endnotes
  196. Colophon
  197. Uncopyright

A Bad Business

“Who goes there?”

No answer. The watchman sees nothing, but through the roar of the wind and the trees distinctly hears someone walking along the avenue ahead of him. A March night, cloudy and foggy, envelopes the earth, and it seems to the watchman that the earth, the sky, and he himself with his thoughts are all merged together into something vast and impenetrably black. He can only grope his way.

“Who goes there?” the watchman repeats, and he begins to fancy that he hears whispering and smothered laughter. “Who’s there?”

“It’s I, friend …” answers an old man’s voice.

“But who are you?”

“I … a traveller.”

“What sort of traveller?” the watchman cries angrily, trying to disguise his terror by shouting. “What the devil do you want here? You go prowling about the graveyard at night, you ruffian!”

“You don’t say it’s a graveyard here?”

“Why, what else? Of course it’s the graveyard! Don’t you see it is?”

“O-o-oh … Queen of Heaven!” there is a sound of an old man sighing. “I see nothing, my good soul, nothing. Oh the darkness, the darkness! You can’t see your hand before your face, it is dark, friend. O-o-oh …”

“But who are you?”

“I am a pilgrim, friend, a wandering man.”

“The devils, the nightbirds. … Nice sort of pilgrims! They are drunkards …” mutters the watchman, reassured by the tone and sighs of the stranger. “One’s tempted to sin by you. They drink the day away and prowl about at night. But I fancy I heard you were not alone; it sounded like two or three of you.”

“I am alone, friend, alone. Quite alone. O-o-oh our sins. …”

The watchman stumbles up against the man and stops.

“How did you get here?” he asks.

“I have lost my way, good man. I was walking to the Mitrievsky Mill and I lost my way.”

“Whew! Is this the road to Mitrievsky Mill? You sheepshead! For the Mitrievsky Mill you must keep much more to the left, straight out of the town along the high road. You have been drinking and have gone a couple of miles out of your way. You must have had a drop in the town.”

“I did, friend … Truly I did; I won’t hide my sins. But how am I to go now?”

“Go straight on and on along this avenue till you can go no farther, and then turn at once to the left and go till you have crossed the whole graveyard right to the gate. There will be a gate there. … Open it and go with God’s blessing. Mind you don’t fall into the ditch. And when you are out of the graveyard you go all the way by the fields till you come out on the main road.”

“God give you health, friend. May the Queen of Heaven save you and have mercy on you. You might take me along, good man! Be merciful! Lead me to the gate.”

“As though I had the time to waste! Go by yourself!”

“Be merciful! I’ll pray for you. I can’t see anything; one can’t see one’s hand before one’s face, friend. … It’s so dark, so dark! Show me the way, sir!”

“As though I had the time to take you about; if I were to play the nurse to everyone I should never have done.”

“For Christ’s sake, take me! I can’t see, and I am afraid to go alone through the graveyard. It’s terrifying, friend, it’s terrifying; I am afraid, good man.”

“There’s no getting rid of you,” sighs the watchman. “All right then, come along.”

The watchman and the traveller go on together. They walk shoulder to shoulder in silence. A damp, cutting wind blows straight into their faces and the unseen trees murmuring and rustling scatter big drops upon them. … The path is almost entirely covered with puddles.

“There is one thing passes my understanding,” says the watchman after a prolonged silence⁠—“how you got here. The gate’s locked. Did you climb over the wall? If you did climb over the wall, that’s the last thing you would expect of an old man.”

“I don’t know, friend, I don’t know. I can’t say myself how I got here. It’s a visitation. A chastisement of the Lord. Truly a visitation, the evil one confounded me. So you are a watchman here, friend?”

“Yes.”

“The only one for the whole graveyard?”

There is such a violent gust of wind that both stop for a minute. Waiting till the violence of the wind abates, the watchman answers:

“There are three of us, but one is lying ill in a fever and the other’s asleep. He and I take turns about.”

“Ah, to be sure, friend. What a wind! The dead must hear it! It howls like a wild beast! O-o-oh.”

“And where do you come from?”

“From a distance, friend. I am from Vologda, a long way off. I go from one holy place to another and pray for people. Save me and have mercy upon me, O Lord.”

The watchman stops for a minute to light his pipe. He stoops down behind the traveller’s back and lights several matches. The gleam of the first match lights up for one instant a bit of the avenue on the right, a white tombstone with an angel, and a dark cross; the light of the second match, flaring up brightly and extinguished by the wind, flashes like lightning on the left side, and from the darkness nothing stands out but the angle of some sort of trellis; the third match throws light to right and to left, revealing the white tombstone, the dark cross, and the trellis round a child’s grave.

“The departed sleep; the dear ones sleep!” the stranger mutters, sighing loudly. “They all sleep alike, rich and poor, wise and foolish, good and wicked. They are of the same value now. And they will sleep till the last trump. The Kingdom of Heaven and peace eternal be theirs.”

“Here we are walking along now, but the time will come when we shall be lying here ourselves,” says the watchman.

“To be sure, to be sure, we shall all. There is no man who will not die. O-o-oh. Our doings are wicked, our thoughts are deceitful! Sins, sins! My soul accursed, ever covetous, my belly greedy and lustful! I have angered the Lord and there is no salvation for me in this world and the next. I am deep in sins like a worm in the earth.”

“Yes, and you have to die.”

“You are right there.”

“Death is easier for a pilgrim than for fellows like us,” says the watchman.

“There are pilgrims of different sorts. There are the real ones who are God-fearing men and watch over their own souls, and there are such as stray about the graveyard at night and are a delight to the devils … Ye-es! There’s one who is a pilgrim could give you a crack on the pate with an axe if he liked and knock the breath out of you.”

“What are you talking like that for?”

“Oh, nothing … Why, I fancy here’s the gate. Yes, it is. Open it, good man.”

The watchman, feeling his way, opens the gate, leads the pilgrim out by the sleeve, and says:

“Here’s the end of the graveyard. Now you must keep on through the open fields till you get to the main road. Only close here there will be the boundary ditch⁠—don’t fall in. … And when you come out on to the road, turn to the right, and keep on till you reach the mill. …”

“O-o-oh!” sighs the pilgrim after a pause, “and now I am thinking that I have no cause to go to Mitrievsky Mill. … Why the devil should I go there? I had better stay a bit with you here, sir. …”

“What do you want to stay with me for?”

“Oh … it’s merrier with you!. …”

“So you’ve found a merry companion, have you? You, pilgrim, are fond of a joke I see. …”

“To be sure I am,” says the stranger, with a hoarse chuckle. “Ah, my dear good man, I bet you will remember the pilgrim many a long year!”

“Why should I remember you?”

“Why I’ve got round you so smartly. … Am I a pilgrim? I am not a pilgrim at all.”

“What are you then?”

“A dead man. … I’ve only just got out of my coffin. … Do you remember Gubaryev, the locksmith, who hanged himself in carnival week? Well, I am Gubaryev himself! …”

“Tell us something else!”

The watchman does not believe him, but he feels all over such a cold, oppressive terror that he starts off and begins hurriedly feeling for the gate.

“Stop, where are you off to?” says the stranger, clutching him by the arm. “Aie, aie, aie … what a fellow you are! How can you leave me all alone?”

“Let go!” cries the watchman, trying to pull his arm away.

“Sto-op! I bid you stop and you stop. Don’t struggle, you dirty dog! If you want to stay among the living, stop and hold your tongue till I tell you. It’s only that I don’t care to spill blood or you would have been a dead man long ago, you scurvy rascal. … Stop!”

The watchman’s knees give way under him. In his terror he shuts his eyes, and trembling all over huddles close to the wall. He would like to call out, but he knows his cries would not reach any living thing. The stranger stands beside him and holds him by the arm. … Three minutes pass in silence.

“One’s in a fever, another’s asleep, and the third is seeing pilgrims on their way,” mutters the stranger. “Capital watchmen, they are worth their salary! Ye-es, brother, thieves have always been cleverer than watchmen! Stand still, don’t stir. …”

Five minutes, ten minutes pass in silence. All at once the wind brings the sound of a whistle.

“Well, now you can go,” says the stranger, releasing the watchman’s arm. “Go and thank God you are alive!”

The stranger gives a whistle too, runs away from the gate, and the watchman hears him leap over the ditch.

With a foreboding of something very dreadful in his heart, the watchman, still trembling with terror, opens the gate irresolutely and runs back with his eyes shut.

At the turning into the main avenue he hears hurried footsteps, and someone asks him, in a hissing voice: “Is that you, Timofey? Where is Mitka?”

And after running the whole length of the main avenue he notices a little dim light in the darkness. The nearer he gets to the light the more frightened he is and the stronger his foreboding of evil.

“It looks as though the light were in the church,” he thinks. “And how can it have come there? Save me and have mercy on me, Queen of Heaven! And that it is.”

The watchman stands for a minute before the broken window and looks with horror towards the altar. … A little wax candle which the thieves had forgotten to put out flickers in the wind that bursts in at the window and throws dim red patches of light on the vestments flung about and a cupboard overturned on the floor, on numerous footprints near the high altar and the altar of offerings.

A little time passes and the howling wind sends floating over the churchyard the hurried uneven clangs of the alarm-bell. …

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The source text and artwork in this ebook edition are believed to be in the U.S. public domain. This ebook edition is released under the terms in the CC0 1.0 Universal Public Domain Dedication, available at https://creativecommons.org/publicdomain/zero/1.0/. For full license information see the Uncopyright file included at the end of this ebook.
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