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Short Fiction: A Peculiar Man

Short Fiction
A Peculiar Man
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Notes

table of contents
  1. Title Page
  2. Imprint
  3. A Living Chattel
    1. I
    2. II
    3. III
  4. Joy
  5. At the Barber’s
  6. An Enigmatic Nature
  7. A Classical Student
  8. The Death of a Government Clerk
  9. A Daughter of Albion
  10. The Trousseau
  11. An Inquiry
  12. Fat and Thin
  13. A Tragic Actor
  14. A Slander
  15. The Bird Market
  16. Choristers
  17. The Album
  18. Minds in Ferment
  19. A Chameleon
  20. In the Graveyard
  21. Oysters
  22. The Swedish Match
    1. I
    2. II
  23. The Marshal’s Widow
  24. Small Fry
  25. In an Hotel
  26. Boots
  27. Nerves
  28. A Country Cottage
  29. Malingerers
  30. The Fish
  31. Gone Astray
  32. The Huntsman
  33. A Malefactor
  34. A Dead Body
  35. The Cook’s Wedding
  36. In a Strange Land
  37. Overdoing It
  38. Old Age
  39. Sorrow
  40. Oh! The Public
  41. Mari d’Elle
  42. The Looking-Glass
  43. Art
  44. A Blunder
  45. Children
  46. Misery
  47. An Actor’s End
  48. The Requiem
  49. Anyuta
  50. Ivan Matveyitch
  51. The Witch
  52. A Story Without an End
  53. A Joke
  54. Agafya
  55. A Nightmare
  56. Grisha
  57. Love
  58. Easter Eve
  59. Ladies
  60. Strong Impressions
  61. A Gentleman Friend
  62. A Happy Man
  63. The Privy Councillor
  64. A Day in the Country
  65. At a Summer Villa
  66. Panic Fears
  67. The Chemist’s Wife
  68. Not Wanted
  69. The Chorus Girl
  70. The Schoolmaster
  71. A Troublesome Visitor
  72. A Misfortune
  73. A Pink Stocking
  74. Martyrs
  75. The First-Class Passenger
  76. Talent
  77. The Dependents
  78. The Jeune Premier
  79. In the Dark
  80. A Trivial Incident
  81. A Tripping Tongue
  82. A Trifle from Life
  83. Difficult People
  84. In the Court
  85. A Peculiar Man
  86. Mire
    1. I
    2. II
  87. Dreams
  88. Hush!
  89. Excellent People
  90. An Incident
  91. The Orator
  92. A Work of Art
  93. Who Was to Blame?
  94. On the Road
  95. Vanka
  96. Champagne
  97. Frost
  98. The Beggar
  99. Enemies
  100. Darkness
  101. Polinka
  102. Drunk
  103. An Inadvertence
  104. Verotchka
  105. Shrove Tuesday
  106. A Defenceless Creature
  107. A Bad Business
  108. Home
  109. The Lottery Ticket
  110. Too Early!
  111. Typhus
  112. In Passion Week
  113. A Mystery
  114. The Cossack
  115. The Letter
  116. An Adventure
  117. The Examining Magistrate
  118. Aborigines
  119. Happiness
  120. Bad Weather
  121. A Play
  122. A Transgression
  123. From the Diary of a Violent-Tempered Man
  124. Uprooted
  125. A Father
  126. A Happy Ending
  127. In the Coach-House
  128. Zinotchka
  129. The Doctor
  130. The Pipe
  131. An Avenger
  132. The Post
  133. The Runaway
  134. A Problem
  135. The Old House
  136. The Cattle-Dealers
  137. Expensive Lessons
  138. The Lion and the Sun
  139. In Trouble
  140. The Kiss
  141. Boys
  142. Kashtanka
    1. I: Misbehaviour
    2. II: A Mysterious Stranger
    3. III: New and Very Agreeable Acquaintances
    4. IV: Marvels on a Hurdle
    5. V: Talent! Talent!
    6. VI: An Uneasy Night
    7. VII: An Unsuccessful Debut
  143. A Lady’s Story
  144. A Story Without a Title
  145. Sleepy
  146. The Steppe
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  147. Lights
  148. The Beauties
    1. I
    2. II
  149. The Party
    1. I
    2. II
    3. III
    4. IV
    5. V
  150. The Shoemaker and the Devil
  151. The Bet
    1. I
    2. II
  152. The Princess
  153. A Dreary Story
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  154. The Teacher of Literature
    1. I
    2. II
  155. A Nervous Breakdown
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  156. The Horse-Stealers
  157. Gusev
    1. I
    2. II
    3. III
    4. IV
    5. V
  158. Peasant Wives
  159. The Wife
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  160. The Grasshopper
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  161. After the Theatre
  162. In Exile
  163. Terror
  164. Neighbours
  165. Ward No. 6
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
  166. The Two Volodyas
  167. Rothschild’s Fiddle
  168. The Student
  169. At a Country House
  170. The Head-Gardener’s Story
  171. A Woman’s Kingdom
    1. I: Christmas Eve
    2. II: Christmas Morning
    3. III: Dinner
    4. IV: Evening
  172. Anna on the Neck
    1. I
    2. II
  173. Whitebrow
  174. Ariadne
  175. The Helpmate
  176. The Murder
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  177. Three Years
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
  178. An Artist’s Story
    1. I
    2. II
    3. III
    4. IV
  179. My Life
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
    20. XX
  180. Peasants
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
  181. The Petchenyeg
  182. At Home
    1. I
    2. II
    3. III
  183. The Schoolmistress
  184. The Man in a Case
  185. Gooseberries
  186. About Love
  187. The Darling
  188. The New Villa
    1. I
    2. II
    3. III
    4. IV
    5. V
  189. On Official Duty
  190. The Lady with the Dog
    1. I
    2. II
    3. III
    4. IV
  191. At Christmas Time
    1. I
    2. II
  192. In the Ravine
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
  193. The Bishop
    1. I
    2. II
    3. III
    4. IV
  194. Betrothed
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  195. Endnotes
  196. Colophon
  197. Uncopyright

A Peculiar Man

Between twelve and one at night a tall gentleman, wearing a top-hat and a coat with a hood, stops before the door of Marya Petrovna Koshkin, a midwife and an old maid. Neither face nor hand can be distinguished in the autumn darkness, but in the very manner of his coughing and the ringing of the bell a certain solidity, positiveness, and even impressiveness can be discerned. After the third ring the door opens and Marya Petrovna herself appears. She has a man’s overcoat flung on over her white petticoat. The little lamp with the green shade which she holds in her hand throws a greenish light over her sleepy, freckled face, her scraggy neck, and the lank, reddish hair that strays from under her cap.

“Can I see the midwife?” asks the gentleman.

“I am the midwife. What do you want?”

The gentleman walks into the entry and Marya Petrovna sees facing her a tall, well-made man, no longer young, but with a handsome, severe face and bushy whiskers.

“I am a collegiate assessor, my name is Kiryakov,” he says. “I came to fetch you to my wife. Only please make haste.”

“Very good …” the midwife assents. “I’ll dress at once, and I must trouble you to wait for me in the parlour.”

Kiryakov takes off his overcoat and goes into the parlour. The greenish light of the lamp lies sparsely on the cheap furniture in patched white covers, on the pitiful flowers and the posts on which ivy is trained. … There is a smell of geranium and carbolic. The little clock on the wall ticks timidly, as though abashed at the presence of a strange man.

“I am ready,” says Marya Petrovna, coming into the room five minutes later, dressed, washed, and ready for action. “Let us go.”

“Yes, you must make haste,” says Kiryakov. “And, by the way, it is not out of place to enquire⁠—what do you ask for your services?”

“I really don’t know …” says Marya Petrovna with an embarrassed smile. “As much as you will give.”

“No, I don’t like that,” says Kiryakov, looking coldly and steadily at the midwife. “An arrangement beforehand is best. I don’t want to take advantage of you and you don’t want to take advantage of me. To avoid misunderstandings it is more sensible for us to make an arrangement beforehand.”

“I really don’t know⁠—there is no fixed price.”

“I work myself and am accustomed to respect the work of others. I don’t like injustice. It will be equally unpleasant to me if I pay you too little, or if you demand from me too much, and so I insist on your naming your charge.”

“Well, there are such different charges.”

“H’m. In view of your hesitation, which I fail to understand, I am constrained to fix the sum myself. I can give you two roubles.”

“Good gracious! … Upon my word! …” says Marya Petrovna, turning crimson and stepping back. “I am really ashamed. Rather than take two roubles I will come for nothing. … Five roubles, if you like.”

“Two roubles, not a kopeck more. I don’t want to take advantage of you, but I do not intend to be overcharged.”

“As you please, but I am not coming for two roubles. …”

“But by law you have not the right to refuse.”

“Very well, I will come for nothing.”

“I won’t have you for nothing. All work ought to receive remuneration. I work myself and I understand that. …”

“I won’t come for two roubles,” Marya Petrovna answers mildly. “I’ll come for nothing if you like.”

“In that case I regret that I have troubled you for nothing. … I have the honour to wish you goodbye.”

“Well, you are a man!” says Marya Petrovna, seeing him into the entry. “I will come for three roubles if that will satisfy you.”

Kiryakov frowns and ponders for two full minutes, looking with concentration on the floor, then he says resolutely, “No,” and goes out into the street. The astonished and disconcerted midwife fastens the door after him and goes back into her bedroom.

“He’s good-looking, respectable, but how queer, God bless the man! …” she thinks as she gets into bed.

But in less than half an hour she hears another ring; she gets up and sees the same Kiryakov again.

“Extraordinary the way things are mismanaged. Neither the chemist, nor the police, nor the house-porters can give me the address of a midwife, and so I am under the necessity of assenting to your terms. I will give you three roubles, but … I warn you beforehand that when I engage servants or receive any kind of services, I make an arrangement beforehand in order that when I pay there may be no talk of extras, tips, or anything of the sort. Everyone ought to receive what is his due.”

Marya Petrovna has not listened to Kiryakov for long, but already she feels that she is bored and repelled by him, that his even, measured speech lies like a weight on her soul. She dresses and goes out into the street with him. The air is still but cold, and the sky is so overcast that the light of the street lamps is hardly visible. The sloshy snow squelches under their feet. The midwife looks intently but does not see a cab.

“I suppose it is not far?” she asks.

“No, not far,” Kiryakov answers grimly.

They walk down one turning, a second, a third. … Kiryakov strides along, and even in his step his respectability and positiveness is apparent.

“What awful weather!” the midwife observes to him.

But he preserves a dignified silence, and it is noticeable that he tries to step on the smooth stones to avoid spoiling his goloshes. At last after a long walk the midwife steps into the entry; from which she can see a big decently furnished drawing room. There is not a soul in the rooms, even in the bedroom where the woman is lying in labour. … The old women and relations who flock in crowds to every confinement are not to be seen. The cook rushes about alone, with a scared and vacant face. There is a sound of loud groans.

Three hours pass. Marya Petrovna sits by the mother’s bedside and whispers to her. The two women have already had time to make friends, they have got to know each other, they gossip, they sigh together. …

“You mustn’t talk,” says the midwife anxiously, and at the same time she showers questions on her.

Then the door opens and Kiryakov himself comes quietly and stolidly into the room. He sits down in the chair and strokes his whiskers. Silence reigns. Marya Petrovna looks timidly at his handsome, passionless, wooden face and waits for him to begin to talk, but he remains absolutely silent and absorbed in thought. After waiting in vain, the midwife makes up her mind to begin herself, and utters a phrase commonly used at confinements.

“Well now, thank God, there is one human being more in the world!”

“Yes, that’s agreeable,” said Kiryakov, preserving the wooden expression of his face, “though indeed, on the other hand, to have more children you must have more money. The baby is not born fed and clothed.”

A guilty expression comes into the mother’s face, as though she had brought a creature into the world without permission or through idle caprice. Kiryakov gets up with a sigh and walks with solid dignity out of the room.

“What a man, bless him!” says the midwife to the mother. “He’s so stern and does not smile.”

The mother tells her that he is always like that. … He is honest, fair, prudent, sensibly economical, but all that to such an exceptional degree that simple mortals feel suffocated by it. His relations have parted from him, the servants will not stay more than a month; they have no friends; his wife and children are always on tenterhooks from terror over every step they take. He does not shout at them nor beat them, his virtues are far more numerous than his defects, but when he goes out of the house they all feel better, and more at ease. Why it is so the woman herself cannot say.

“The basins must be properly washed and put away in the store cupboard,” says Kiryakov, coming into the bedroom. “These bottles must be put away too: they may come in handy.”

What he says is very simple and ordinary, but the midwife for some reason feels flustered. She begins to be afraid of the man and shudders every time she hears his footsteps. In the morning as she is preparing to depart she sees Kiryakov’s little son, a pale, close-cropped schoolboy, in the dining room drinking his tea. … Kiryakov is standing opposite him, saying in his flat, even voice:

“You know how to eat, you must know how to work too. You have just swallowed a mouthful but have not probably reflected that that mouthful costs money and money is obtained by work. You must eat and reflect. …”

The midwife looks at the boy’s dull face, and it seems to her as though the very air is heavy, that a little more and the very walls will fall, unable to endure the crushing presence of the peculiar man. Beside herself with terror, and by now feeling a violent hatred for the man, Marya Petrovna gathers up her bundles and hurriedly departs.

Halfway home she remembers that she has forgotten to ask for her three roubles, but after stopping and thinking for a minute, with a wave of her hand, she goes on.

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The source text and artwork in this ebook edition are believed to be in the U.S. public domain. This ebook edition is released under the terms in the CC0 1.0 Universal Public Domain Dedication, available at https://creativecommons.org/publicdomain/zero/1.0/. For full license information see the Uncopyright file included at the end of this ebook.
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