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Short Fiction: Old Age

Short Fiction
Old Age
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Notes

table of contents
  1. Title Page
  2. Imprint
  3. A Living Chattel
    1. I
    2. II
    3. III
  4. Joy
  5. At the Barber’s
  6. An Enigmatic Nature
  7. A Classical Student
  8. The Death of a Government Clerk
  9. A Daughter of Albion
  10. The Trousseau
  11. An Inquiry
  12. Fat and Thin
  13. A Tragic Actor
  14. A Slander
  15. The Bird Market
  16. Choristers
  17. The Album
  18. Minds in Ferment
  19. A Chameleon
  20. In the Graveyard
  21. Oysters
  22. The Swedish Match
    1. I
    2. II
  23. The Marshal’s Widow
  24. Small Fry
  25. In an Hotel
  26. Boots
  27. Nerves
  28. A Country Cottage
  29. Malingerers
  30. The Fish
  31. Gone Astray
  32. The Huntsman
  33. A Malefactor
  34. A Dead Body
  35. The Cook’s Wedding
  36. In a Strange Land
  37. Overdoing It
  38. Old Age
  39. Sorrow
  40. Oh! The Public
  41. Mari d’Elle
  42. The Looking-Glass
  43. Art
  44. A Blunder
  45. Children
  46. Misery
  47. An Actor’s End
  48. The Requiem
  49. Anyuta
  50. Ivan Matveyitch
  51. The Witch
  52. A Story Without an End
  53. A Joke
  54. Agafya
  55. A Nightmare
  56. Grisha
  57. Love
  58. Easter Eve
  59. Ladies
  60. Strong Impressions
  61. A Gentleman Friend
  62. A Happy Man
  63. The Privy Councillor
  64. A Day in the Country
  65. At a Summer Villa
  66. Panic Fears
  67. The Chemist’s Wife
  68. Not Wanted
  69. The Chorus Girl
  70. The Schoolmaster
  71. A Troublesome Visitor
  72. A Misfortune
  73. A Pink Stocking
  74. Martyrs
  75. The First-Class Passenger
  76. Talent
  77. The Dependents
  78. The Jeune Premier
  79. In the Dark
  80. A Trivial Incident
  81. A Tripping Tongue
  82. A Trifle from Life
  83. Difficult People
  84. In the Court
  85. A Peculiar Man
  86. Mire
    1. I
    2. II
  87. Dreams
  88. Hush!
  89. Excellent People
  90. An Incident
  91. The Orator
  92. A Work of Art
  93. Who Was to Blame?
  94. On the Road
  95. Vanka
  96. Champagne
  97. Frost
  98. The Beggar
  99. Enemies
  100. Darkness
  101. Polinka
  102. Drunk
  103. An Inadvertence
  104. Verotchka
  105. Shrove Tuesday
  106. A Defenceless Creature
  107. A Bad Business
  108. Home
  109. The Lottery Ticket
  110. Too Early!
  111. Typhus
  112. In Passion Week
  113. A Mystery
  114. The Cossack
  115. The Letter
  116. An Adventure
  117. The Examining Magistrate
  118. Aborigines
  119. Happiness
  120. Bad Weather
  121. A Play
  122. A Transgression
  123. From the Diary of a Violent-Tempered Man
  124. Uprooted
  125. A Father
  126. A Happy Ending
  127. In the Coach-House
  128. Zinotchka
  129. The Doctor
  130. The Pipe
  131. An Avenger
  132. The Post
  133. The Runaway
  134. A Problem
  135. The Old House
  136. The Cattle-Dealers
  137. Expensive Lessons
  138. The Lion and the Sun
  139. In Trouble
  140. The Kiss
  141. Boys
  142. Kashtanka
    1. I: Misbehaviour
    2. II: A Mysterious Stranger
    3. III: New and Very Agreeable Acquaintances
    4. IV: Marvels on a Hurdle
    5. V: Talent! Talent!
    6. VI: An Uneasy Night
    7. VII: An Unsuccessful Debut
  143. A Lady’s Story
  144. A Story Without a Title
  145. Sleepy
  146. The Steppe
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  147. Lights
  148. The Beauties
    1. I
    2. II
  149. The Party
    1. I
    2. II
    3. III
    4. IV
    5. V
  150. The Shoemaker and the Devil
  151. The Bet
    1. I
    2. II
  152. The Princess
  153. A Dreary Story
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  154. The Teacher of Literature
    1. I
    2. II
  155. A Nervous Breakdown
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  156. The Horse-Stealers
  157. Gusev
    1. I
    2. II
    3. III
    4. IV
    5. V
  158. Peasant Wives
  159. The Wife
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  160. The Grasshopper
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
  161. After the Theatre
  162. In Exile
  163. Terror
  164. Neighbours
  165. Ward No. 6
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
  166. The Two Volodyas
  167. Rothschild’s Fiddle
  168. The Student
  169. At a Country House
  170. The Head-Gardener’s Story
  171. A Woman’s Kingdom
    1. I: Christmas Eve
    2. II: Christmas Morning
    3. III: Dinner
    4. IV: Evening
  172. Anna on the Neck
    1. I
    2. II
  173. Whitebrow
  174. Ariadne
  175. The Helpmate
  176. The Murder
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
  177. Three Years
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
  178. An Artist’s Story
    1. I
    2. II
    3. III
    4. IV
  179. My Life
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
    10. X
    11. XI
    12. XII
    13. XIII
    14. XIV
    15. XV
    16. XVI
    17. XVII
    18. XVIII
    19. XIX
    20. XX
  180. Peasants
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
  181. The Petchenyeg
  182. At Home
    1. I
    2. II
    3. III
  183. The Schoolmistress
  184. The Man in a Case
  185. Gooseberries
  186. About Love
  187. The Darling
  188. The New Villa
    1. I
    2. II
    3. III
    4. IV
    5. V
  189. On Official Duty
  190. The Lady with the Dog
    1. I
    2. II
    3. III
    4. IV
  191. At Christmas Time
    1. I
    2. II
  192. In the Ravine
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
    7. VII
    8. VIII
    9. IX
  193. The Bishop
    1. I
    2. II
    3. III
    4. IV
  194. Betrothed
    1. I
    2. II
    3. III
    4. IV
    5. V
    6. VI
  195. Endnotes
  196. Colophon
  197. Uncopyright

Old Age

Uzelkov, an architect with the rank of civil councillor, arrived in his native town, to which he had been invited to restore the church in the cemetery. He had been born in the town, had been at school, had grown up and married in it. But when he got out of the train he scarcely recognized it. Everything was changed. … Eighteen years ago when he had moved to Petersburg the street-boys used to catch marmots, for instance, on the spot where now the station was standing; now when one drove into the chief street, a hotel of four storeys stood facing one; in old days there was an ugly grey fence just there; but nothing⁠—neither fences nor houses⁠—had changed as much as the people. From his enquiries of the hotel waiter Uzelkov learned that more than half of the people he remembered were dead, reduced to poverty, forgotten.

“And do you remember Uzelkov?” he asked the old waiter about himself. “Uzelkov the architect who divorced his wife? He used to have a house in Svirebeyevsky Street … you must remember.”

“I don’t remember, sir.”

“How is it you don’t remember? The case made a lot of noise, even the cabmen all knew about it. Think, now! Shapkin the attorney managed my divorce for me, the rascal … the notorious cardsharper, the fellow who got a thrashing at the club. …”

“Ivan Nikolaitch?”

“Yes, yes. … Well, is he alive? Is he dead?”

“Alive, sir, thank God. He is a notary now and has an office. He is very well off. He has two houses in Kirpitchny Street. … His daughter was married the other day.”

Uzelkov paced up and down the room, thought a bit, and in his boredom made up his mind to go and see Shapkin at his office. When he walked out of the hotel and sauntered slowly towards Kirpitchny Street it was midday. He found Shapkin at his office and scarcely recognized him. From the once well-made, adroit attorney with a mobile, insolent, and always drunken face Shapkin had changed into a modest, grey-headed, decrepit old man.

“You don’t recognize me, you have forgotten me,” began Uzelkov. “I am your old client, Uzelkov.”

“Uzelkov, what Uzelkov? Ah!” Shapkin remembered, recognized, and was struck all of a heap. There followed a shower of exclamations, questions, recollections.

“This is a surprise! This is unexpected!” cackled Shapkin. “What can I offer you? Do you care for champagne? Perhaps you would like oysters? My dear fellow, I have had so much from you in my time that I can’t offer you anything equal to the occasion. …”

“Please don’t put yourself out …” said Uzelkov. “I have no time to spare. I must go at once to the cemetery and examine the church; I have undertaken the restoration of it.”

“That’s capital! We’ll have a snack and a drink and drive together. I have capital horses. I’ll take you there and introduce you to the churchwarden; I will arrange it all. … But why is it, my angel, you seem to be afraid of me and hold me at arm’s length? Sit a little nearer! There is no need for you to be afraid of me nowadays. He-he! … At one time, it is true, I was a cunning blade, a dog of a fellow … no one dared approach me; but now I am stiller than water and humbler than the grass. I have grown old, I am a family man, I have children. It’s time I was dead.”

The friends had lunch, had a drink, and with a pair of horses drove out of the town to the cemetery.

“Yes, those were times!” Shapkin recalled as he sat in the sledge. “When you remember them you simply can’t believe in them. Do you remember how you divorced your wife? It’s nearly twenty years ago, and I dare say you have forgotten it all; but I remember it as though I’d divorced you yesterday. Good Lord, what a lot of worry I had over it! I was a sharp fellow, tricky and cunning, a desperate character. … Sometimes I was burning to tackle some ticklish business, especially if the fee were a good one, as, for instance, in your case. What did you pay me then? Five or six thousand! That was worth taking trouble for, wasn’t it? You went off to Petersburg and left the whole thing in my hands to do the best I could, and, though Sofya Mihailovna, your wife, came only of a merchant family, she was proud and dignified. To bribe her to take the guilt on herself was difficult, awfully difficult! I would go to negotiate with her, and as soon as she saw me she called to her maid: ‘Masha, didn’t I tell you not to admit that scoundrel?’ Well, I tried one thing and another. … I wrote her letters and contrived to meet her accidentally⁠—it was no use! I had to act through a third person. I had a lot of trouble with her for a long time, and she only gave in when you agreed to give her ten thousand. … She couldn’t resist ten thousand, she couldn’t hold out. … She cried, she spat in my face, but she consented, she took the guilt on herself!”

“I thought it was fifteen thousand she had from me, not ten,” said Uzelkov.

“Yes, yes … fifteen⁠—I made a mistake,” said Shapkin in confusion. “It’s all over and done with, though, it’s no use concealing it. I gave her ten and the other five I collared for myself. I deceived you both. … It’s all over and done with, it’s no use to be ashamed. And indeed, judge for yourself, Boris Petrovitch, weren’t you the very person for me to get money out of? … You were a wealthy man and had everything you wanted. … Your marriage was an idle whim, and so was your divorce. You were making a lot of money. … I remember you made a scoop of twenty thousand over one contract. Whom should I have fleeced if not you? And I must own I envied you. If you grabbed anything they took off their caps to you, while they would thrash me for a rouble and slap me in the face at the club. … But there, why recall it? It is high time to forget it.”

“Tell me, please, how did Sofya Mihailovna get on afterwards?”

“With her ten thousand? Very badly. God knows what it was⁠—she lost her head, perhaps, or maybe her pride and her conscience tormented her at having sold her honour, or perhaps she loved you; but, do you know, she took to drink. … As soon as she got her money she was off driving about with officers. It was drunkenness, dissipation, debauchery. … When she went to a restaurant with officers she was not content with port or anything light, she must have strong brandy, fiery stuff to stupefy her.”

“Yes, she was eccentric. … I had a lot to put up with from her … sometimes she would take offence at something and begin being hysterical. … And what happened afterwards?”

“One week passed and then another. … I was sitting at home, writing something. All at once the door opened and she walked in … drunk. ‘Take back your cursed money,’ she said, and flung a roll of notes in my face. … So she could not keep it up. I picked up the notes and counted them. It was five hundred short of the ten thousand, so she had only managed to get through five hundred.”

“Where did you put the money?”

“It’s all ancient history … there’s no reason to conceal it now. … In my pocket, of course. Why do you look at me like that? Wait a bit for what will come later. … It’s a regular novel, a pathological study. A couple of months later I was going home one night in a nasty drunken condition. … I lighted a candle, and lo and behold! Sofya Mihailovna was sitting on my sofa, and she was drunk, too, and in a frantic state⁠—as wild as though she had run out of Bedlam. ‘Give me back my money,’ she said, ‘I have changed my mind; if I must go to ruin I won’t do it by halves, I’ll have my fling! Be quick, you scoundrel, give me my money!’ A disgraceful scene!”

“And you … gave it her?”

“I gave her, I remember, ten roubles.”

“Oh! How could you?” cried Uzelkov, frowning. “If you couldn’t or wouldn’t have given it her, you might have written to me. … And I didn’t know! I didn’t know!”

“My dear fellow, what use would it have been for me to write, considering that she wrote to you herself when she was lying in the hospital afterwards?”

“Yes, but I was so taken up then with my second marriage. I was in such a whirl that I had no thoughts to spare for letters. … But you were an outsider, you had no antipathy for Sofya … why didn’t you give her a helping hand? …”

“You can’t judge by the standards of today, Boris Petrovitch; that’s how we look at it now, but at the time we thought very differently. … Now maybe I’d give her a thousand roubles, but then even that ten-rouble note I did not give her for nothing. It was a bad business! … We must forget it. … But here we are. …”

The sledge stopped at the cemetery gates. Uzelkov and Shapkin got out of the sledge, went in at the gate, and walked up a long, broad avenue. The bare cherry trees and acacias, the grey crosses and tombstones, were silvered with hoarfrost, every little grain of snow reflected the bright, sunny day. There was the smell there always is in cemeteries, the smell of incense and freshly dug earth. …

“Our cemetery is a pretty one,” said Uzelkov, “quite a garden!”

“Yes, but it is a pity thieves steal the tombstones. … And over there, beyond that iron monument on the right, Sofya Mihailovna is buried. Would you like to see?”

The friends turned to the right and walked through the deep snow to the iron monument.

“Here it is,” said Shapkin, pointing to a little slab of white marble. “A lieutenant put the stone on her grave.”

Uzelkov slowly took off his cap and exposed his bald head to the sun. Shapkin, looking at him, took off his cap too, and another bald patch gleamed in the sunlight. There was the stillness of the tomb all around as though the air, too, were dead. The friends looked at the grave, pondered, and said nothing.

“She sleeps in peace,” said Shapkin, breaking the silence. “It’s nothing to her now that she took the blame on herself and drank brandy. You must own, Boris Petrovitch. …”

“Own what?” Uzelkov asked gloomily.

“Why. … However hateful the past, it was better than this.”

And Shapkin pointed to his grey head.

“I used not to think of the hour of death. … I fancied I could have given death points and won the game if we had had an encounter; but now. … But what’s the good of talking!”

Uzelkov was overcome with melancholy. He suddenly had a passionate longing to weep, as once he had longed for love, and he felt those tears would have tasted sweet and refreshing. A moisture came into his eyes and there was a lump in his throat, but … Shapkin was standing beside him and Uzelkov was ashamed to show weakness before a witness. He turned back abruptly and went into the church.

Only two hours later, after talking to the churchwarden and looking over the church, he seized a moment when Shapkin was in conversation with the priest and hastened away to weep. … He stole up to the grave secretly, furtively, looking round him every minute. The little white slab looked at him pensively, mournfully, and innocently as though a little girl lay under it instead of a dissolute, divorced wife.

“To weep, to weep!” thought Uzelkov.

But the moment for tears had been missed; though the old man blinked his eyes, though he worked up his feelings, the tears did not flow nor the lump come in his throat. After standing for ten minutes, with a gesture of despair, Uzelkov went to look for Shapkin.

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The source text and artwork in this ebook edition are believed to be in the U.S. public domain. This ebook edition is released under the terms in the CC0 1.0 Universal Public Domain Dedication, available at https://creativecommons.org/publicdomain/zero/1.0/. For full license information see the Uncopyright file included at the end of this ebook.
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